Deutsches Lilypond Forum (Archiv)
Allgemein => Hilfe beim Einstieg in Lilypond => Thema gestartet von: flashgordonx am Samstag, 31. Mai 2014, 12:15
-
Hallo liebe Forumbesucher
Bis jetzt habe ich, wenn ich eine Note eines Werkes gesetzt, das mehrere Sätze hatte, habe ich für jedes Satz eine eigene Datei gemacht. Als alle fertig waren, habe ich die Dateien mit einem anderen Programm zu einer einzigen PDF-Datei zusammengefügt.
Meine Frage ist, wie ich in einer *.ly-Datei mehrere Sätze erstellen kann, bzw. wie ich zwischen die einzelnen Kapitel eine leere Seite einfügen kann.
\version "2.18.2"
\header {
subtitle = "II. Hazatérés"
subsubtitle = "(Heimkehr)"
tagline = " "
%composer = "Dombó Dániel"
%tagline = \markup { \italic "Kottagrafika: Hegyi Tamás - hegyitomi78@gmail.com - Music engraving by Lilypond 2.18.2 www.lilypond.org"
% systems-per-page = #1 %ez biztosítja, hogy 3 flekk legyen egy oldalon.
}
\paper {
#(set-paper-size "a4")
left-margin=15 \mm
print-page-number = ##t
first-page-number = 4 % az első oldal innen indul
print-first-page-number = ##t %Parancs ha az első oldalra is szeretnék oldalszámot
%{ oddFooterMarkup = \markup \null
oddHeaderMarkup = \markup {
\fill-line {
\null
\on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string
}
}
} %}
}
global = {
\key d \major
\time 4/4
\tempo 4=60
}
sopranoVoiceI = {
\global
\dynamicUp
r4 r4 r4 \times 2/3 {d'16_\(\p \melisma e' fis'8 b' }
%d'16_\(\p e' fis' b'
\time 3/4 a'2 b'4\) \!% } \new Voice { \voiceTwo {d'1 } } >>
\time 5/4 fis'2\(\mp (fis'8) g' fis'4 a'4\) | e'\( fis'2 e'4.\) \breathe b8 %11
\times 2/3 { e'8\( fis' g' } fis'4\) \times 2/3 { g'8\<\( a' b'8 } a'2\)
\time 6/4 b'8\(\mf c''4 b'8 a'4 b'8 g'8 a'2\) \time 4/4 % \pageBreak
<< { \voiceOne b'8\( d''4 e''8 b'4.\> a'8\!\) \breathe }
\new Voice { \voiceTwo {g'8_\( fis'4 b'8 b'4. a'8\) } } >>
% b'8\( d''4 e''8 b'4.\> a'8\!\) \breathe
%\new Voice { \voiceTwo {f'8\( e'4 a'8 a'4. g'8 } } >> %12
%Vége az első oldalnak
\time 3/4 \stemNeutral gis'4\p _\(a'\<b'\) \time 4/4 b'2.\mp _\(\!a'4 \>\time 5/4 dis'4-.\!\)\melismaEnd bes'4\rest
bes'8\rest g'8^"rall..."-- _\( \melisma fis'2 \time 4/4 \melisma e'4^"Tempo I."\)
bes'4\rest bes'4\rest \melismaEnd \times 2/3 {e'16 _\( \melisma fis'gis'8 cis''\! } %21
\time 3/4 b'2\< cis''4 \) e''4.\(\mf dis''8 cis''8 [e''] \) \time 5/4 e''2.\< (dis''2)\! % \pageBreak
\time 4/4 e''2\(\f dis''4 e''4\)
% \new Voice { \voiceTwo {e'1 b'2. (b'2.) a'2 a'8 b'4 a'8(a'2) } } >> %22
%vége a második oldalnak
\time 3/4 e''2. (e''2)\( (e''8) d''8 \time 2/4 c''4\> b'\)\melismaEnd\breathe \time 3/4 b'2.\p gis'4_\( a'\< b'\)
%\new Voice { \voiceTwo {c''2. c''8 bes' a' g' f'4 g'2 g'2. d'2. } } >> %31
b'8_\(\mp e''4 d''4 a'8\) \time 4/4 b'1 \stemUp b'8_\(\mf a'4 fis'8\) fis'8_( [g']) g'^"rall..." _(a'8) \time 6/4
a'2\( gis'4 \> fis'-- gis'2\)\! \fermata
% \new Voice { \voiceTwo {g'8^\<\( fis'4 e'8^\> fis'4 a'4\! \breathe
%a'8 g'4 e'8 d'4 e'4 (e') d'2 e'4 fis'2 \bar "|." %} } >>
}
verseSopranoVoiceI = \lyricmode {
Ah… Ah… Ah… __Ah… % Ah…
}
sopranoVoiceII = {
\global
\dynamicUp
%{r4 r4 r4 d'16\(\p e' fis' b' \voiceOne a'2. b'4\!% } \new Voice { \voiceTwo {d'1 } } >>
\time 5/4 fis'2\mp _(fis'8) g' fis'4 a'4 | e' fis'2 e'4.\)\breathe b8 %11
\times 2/3 { e'8\( fis' g' } fis'4\)\! \times 2/3 { g'8\( a' b'8 } a'2\)
\time 6/4 b'8\( c''4 b'8 a'4 b'8 g'8 a'2\) \time 4/4 % << { \voiceOne a'8\( c''4 d''8 a'4.\> g'8\!\) \breathe }
g'8_\( fis'4 b'8 b'4. a'8\) \breathe %12
%Vége az első oldalnak
\time 3/4 gis'4 _\(a'b'\) \time 4/4 b'2. _\(\!a'4 \time 5/4 dis'4-.\) bes'4\rest cis''8\rest g'8--_\(fis'2\time 4/4 e'4\)
bes'4\rest bes'4\rest e'16_\( fis' gis' cis'' %21
\voiceOne b'2. \stemDown cis''4 \time 3/4 e''4. dis''8 cis''8 e''\) \time 5/4 e''2. (dis''2)
\time 4/4 e''2\(\f dis''4 e''4\)
%\new Voice { \voiceTwo { b'2. (b'2.) a'2 a'8 b'4 a'8(a'2) } } >> %22
%vége a második oldalnak
\voiceOne \time 3/4 e''2. e''2\( (e''8) d''8 \time 2/4 c''4\> b'\)\breathe \time 3/4 b'2.\p gis'4\( a' b'\)
%\new Voice { \voiceTwo {c''2. c''8 bes' a' g' f'4 g'2 g'2. d'2. } } >> %31
b'8\( e''4 d''4 a'8\) \time 4/4 b'1 b'8_\( a'4 fis'8\) fis'8_( [g']) g' _(a'8) \time 6/4
a'2_\( gis'4 fis' gis'2\) \fermata
% \new Voice { \voiceTwo {g'8^\<\( fis'4 e'8^\> fis'4 a'4\! \breathe
%a'8 g'4 e'8 d'4 e'4 (e') d'2 e'4 fis'2 \bar "|."
%}
}
verseSopranoVoiceII = \lyricmode {
___Ah… % Liedtext folgt hier.
}
altoVoiceI = {
\global
\dynamicUp
r4 r4 r8 a16\p\( \melisma cis' d'4 e'2.\) d'2. (cis'2) c' (b4) (b4.) b8 %11
\times 2/3 { e'8\( fis' g' } fis'4\) \times 2/3 { e'8\( fis' g' } fis'2\) g'\( fis'4 g'2 fis'4\)
d'8\( b4 g'8 fis'4. f'8\)\breathe %\new Voice { \voiceTwo {c'8 a4 bes8 c4. a8 \breathe } } >> %12
%Vége az első oldalnak
%<< { \voiceOne
e'2.\( (e'4) d' f'2% } \new Voice { \voiceTwo { c'2. bes1 } } >>
b4^.\)\melismaEnd bes'4\rest bes'4\rest bes'4\rest dis'4\( \melisma e'4. dis'8 cis'8\) b16_\( dis' e'4 %21
fis'2.\) % (fis')\) a'4.\( g'8 fis'4 e'2\)\breathe fis'8\( g'4 fis'8 e'4 fis'8 d'\) %22
%vége a második oldalnak
% (g'2 f'8 e') f'4.\( e'8 d'4 es'2\)\breathe cis'4\( d' e'\) c'?2.\( %31
% d'2 es'4\breathe d'1\)\breathe d'4 c' bes2 a2. d'2.\fermata %32
%\new Voice { \voiceTwo {
cis''2. cis''2. (b'2) b'8^\( cis''4 b'8(b'2)\) % } } >> %22
%vége a második oldalnak
% << { \voiceOne \time 3/4 d''2. d''2\( (d''8) c''8 \time 2/4 bes'4\> a'\)\breathe \time 3/4 a'2.\p fis'4\( g'\< a'\) }
%\new Voice { \voiceTwo {
d''2. d''8\( c'' b' a' g'4 a'2\)\breathe \melismaEnd a'2. e'2.\(% } } >> %31
e'2 f'4\) % << { \voiceOne \time 4/4 a'1\breathe a'8\mp g'4 e'8 (e'8) [f'] (f')^"rall..." g'8~ \time 6/4
% g'2 fis'4 \> ^"rall..." e' fis'2\! \fermata }
% \new Voice { \voiceTwo {
a'8^\< _\( gis'4 fis'8 gis'4 b'4\)\!
\stemUp b'8\(\mf a'4 fis'8\) e'4\( fis'4 (fis')\stemNeutral { e' \breve*5/8\fermata\) } \bar "|." %} } >>
}
verseAltoVoiceI = \lyricmode {
Ah… Ah… __Ah…
}
altoVoiceII = {
\global
\dynamicUp
%{
r4 r4 r8 a16\p\( cis' d'4(d') cis'2 d'2. cis'2 c' b4 (b4.)\)\breathe b8 %11
\times 2/3 { c'8\( d' e' } d'4\) \times 2/3 { e'8\( fis' g' } fis'2\) g'\( fis'4 g'2 fis'4\) %}
R1 R2. R1 R4 R1 R4
%<< { \voiceOne c'8\( a4 f'8 e'4. es'8\)\breathe } \new Voice { \voiceTwo {
\melisma \times 2/3 { c'8\( d' e' } d'4\) \times 2/3 { e'8\( fis' g' } fis'2\) g'\( fis'4 e'4 d'2\)
d'8\( b4 c'8 d'4. b8\) \breathe %} } >> %12
%Vége az első oldalnak
%<< { \voiceOne d'2.\( (d'4) c' es'2 } \new Voice { \voiceTwo {
d'2.\( c'1% } } >>
b4^.\)\)\melismaEnd bes'4\rest bes'4\rest bes'4\rest dis'4\( \melisma e'4. dis'8 cis'8\) b16\( dis' e'4 %21
(e') dis'2\) gis'2. b'4.\( a'8 gis'4 fis'2\) gis'8\( a'4. fis'4 gis'8 e'\) %22
%vége a második oldalnak
a'2 g'?8\( fis' g'4. fis'8 e'4 f'2\)\)\breathe \melismaEnd dis'4 \( e' fis'\) d'?2.\( %31
e'2 f'4 e'1\) e'4\( d' c'2\) b2.\( c'4-- e'2\)\fermata %32
}
verseAltoVoiceII = \lyricmode {
Ah... Ah...
}
tenorVoiceI = {
\global
\dynamicUp
r4 r4 fis8\(\p\melisma a4. d'4 cis'2\) b2.\( a2 g8 a4. gis2.\) %11
g?4\( a g a8 b c'4\) d'8\( e'4 d'8(d'4) g8 c'8 a2\) b8\( fis4 e8 d2\) \breathe %12
%Vége az első oldalnak
e4\( fis4 gis\) a1~ %<< { \voiceOne
a4^.\melismaEnd bes4\rest bes4\rest bes4\rest a4_\( \melisma e2\( gis8 b4.~ %} \new Voice
% { \voiceTwo {
b2.\) % e4 d2 fis8 a4. % } } >> %21
gis2\( a8 cis'\) e'4.\( fis'8 e'4 dis'2\) b8\( dis'4 cis'8 b4 e'8 b \) %22
%vége a második oldalnak
fis'8\( e' d'[ cis'] b a\) g4.\( a8 g8 [b]\) b8 ( a8
\once \override Score.RehearsalMark.extra-offset = #'(9.5 . -46.)
\mark \markup \column \fontsize #3 { ↗ ↘ } \melismaEnd
g4)\breathe
\set Staff.shortInstrumentName = #"T I"
\pageBreak b2. e4\( fis gis %31
c'2.\) b4 (d'2.) %<< { \voiceOne
c'2^\( (c'8) b a8 [c'8]\) e'2.\( c'4-- b2\)\fermata % }
% \new Voice { \voiceTwo { g2\( g8) a g4\) d'2 fis4 g fis2 } } >> %32
}
verseTenorVoiceI = \lyricmode {
Ah… Ah… __Ah…
}
tenorVoiceII = {
\global
\dynamicUp
%{
r4 r4 fis8\p\( a4. ^(a2.)\) b2.\( a2 g8 a (a4) gis2.\) %11
g?4\( a g a8 b c'4\) d'8\( e'4 d'8(d'4) e'8 c'8 (c'2)\)b8\( fis4 e8 d2\) \breathe %12
%Vége az első oldalnak
e4\( fis4 gis\) a1~ %<< { \voiceOne g4-. b4\rest b4\rest b4\rest g4 d2\( fis8 a4.~ } \new Voice
% { \voiceTwo {
a4^. r4 r4 r4 a4\( e2 gis8 b4.% \unHideNotes } } >> %21
b2.\( gis2 a8 cis' e'4.\( fis'8 e'4 dis'2\) b8\( a4 b8 (b4) e'8 b \) %22
%vége a második oldalnak
fis'8\( e' d'[ cis'] b a g4. a8 g8 [b] b8 a8 g4\)\breathe b2. %}
R1 R2. R1 R4 R1 R4 R1 R4 R1 R2 R1 R2. R1 R1 R4 R1 R4 R2. R2. R1 R4 R1 R2. R2 R2
b2. \melismaEnd e4\( fis gis %31
c'2.\) b4.\( a8 b4 gis4\) % << { \voiceOne
%bes2 (bes8) a g4 d'2.\( bes4 a2\)\fermata % }
% \new Voice { \voiceTwo {
a2_\( (a8)) b a8 [c'8]\) e'2_\( gis4 a-- gis2\)\fermata %} } >> %32 % Die Noten folgen hier.
}
verseTenorVoiceII = \lyricmode {
__Ah…
}
bassVoiceI = {
\global
\dynamicUp
% << { \voiceOne
d4.\p\(\melisma e8 fis2 e2.\) b,4.\( cis8 d e fis2 % }
%\new Voice { \voiceTwo {c1\p g, a,4. b,8 \hideNotes c d e2 \unHideNotes } } >>
{ \time 5/4 e\breve*5/8\) } %11
e4\( \times 2/3 { d8 e fis } c4 d2 \) g,8_( c4 g8 d4 b,8 e d2) d8_(b,4 a,8 g,2)\breathe %12
%Vége az első oldalnak
b,2\( e4 f1 \stemNeutral fis?4-.\)\melismaEnd d4\rest d4\rest d4\rest fis4\( %<< { \voiceOne
\melisma e4. fis8 gis2 fis2.\) % }
% \new Voice { \voiceTwo {d4. e8 fis2 a,1 } } >>
cis2^\( _(\times 2/3 { cis8) e a\) } \stemNeutral a2^\((a8) cis' b2\)
% << { \voiceOne
e2\( fis4 e8 gis\) %} \new Voice { \voiceTwo { d8 g,4 d8 e4 d8 fis } } >>%21
%22
%vége a második oldalnak
% << { \voiceOne
a2\( g8 fis\) e4.\( fis8 e [g] f4 d\)\breathe \melismaEnd fis2. b,2\( e4 a2.\) e1 e2.d4\(e2 b,4 e2.\)\fermata% }
% \new Voice { \voiceTwo {c2. bes,2.(bes,4) c\breathe a,\(b, cis\) a,2 d4 es2 c4\) d1 g,2. c4\( d,2 a,4 g, d,2\)\fermata } } >>
% Die Noten folgen hier.
}
verseBassVoiceI = \lyricmode {
Ah… Ah… __Ah…
}
bassVoiceII = {
\global
\dynamicUp
%<< { \voiceOne c4.\(d8 e2 d1\) a,4. b,8 c d e2 }
%\new Voice { \voiceTwo {
d1\( \p \melisma a,2.\) b,4.\( cis8 d e fis2 % } } >>
{ \time 5/4 e\breve*5/8\) } %11
e4\( \times 2/3 { d8 e fis } c4 d a,\) g,8_( c4 g8 d4 b,8 e d2) d8_(b,4 a,8 g,2) \breathe %12
%Vége az első oldalnak
b,2\( e4 f1 \stemNeutral fis?4-.\)\melismaEnd d4\rest d4\rest d4\rest b,4\( % << { \voiceOne d1 e1\) \breathe }
% \new Voice { \voiceTwo {
\melisma e1 b,2.\) % } } >>
cis2^\( _(\times 2/3 { cis8) e a\) } \stemNeutral a2^\((a8) cis' b2\)
% << { \voiceOne d2\( e4 d8 fis\) } \new Voice { \voiceTwo {
e8\( a,4 e8 fis4 e8 gis\) % } } >>%21
%22
%vége a második oldalnak
% << { \voiceOne g2\( f8 e\) d4.\( e8 d f es4 c\)\breathe e2. a,2\( d4 g2. d1 (d2.)\breathe c4\(d2 a,4 d2.\fermata }
% \new Voice { \voiceTwo {
d2. c2.^\( (c4) d\)\breathe \melismaEnd b, _\(cis dis\) b,2_\( e4 f2 d4\) e1 a,2. d4\( e2 b,4 a,-- e,2\)\fermata% } } >>
}
verseBassVoiceII = \lyricmode {
Ah… Ah… __Ah…
}
sopranoVoiceIPart = \new Staff \with {
instrumentName = "Sopran"
shortInstrumentName = "S"
midiInstrument = "choir aahs"
} { \sopranoVoiceI }
\addlyrics { \verseSopranoVoiceI }
sopranoVoiceIIPart = \new Staff \with {
instrumentName = "Sopran II"
shortInstrumentName = "S II."
midiInstrument = "choir aahs"
} { \sopranoVoiceII }
\addlyrics { \verseSopranoVoiceII } %}
altoVoiceIPart = \new Staff \with {
instrumentName = "Alt"
shortInstrumentName = "M"
midiInstrument = "choir aahs"
} { \altoVoiceI }
\addlyrics { \verseAltoVoiceI }
altoVoiceIIPart = \new Staff \with {
instrumentName = "Alt II"
shortInstrumentName = "A"
midiInstrument = "choir aahs"
} { \altoVoiceII }
\addlyrics { \verseAltoVoiceII }
tenorVoiceIPart = \new Staff \with {
instrumentName = "Tenor I-II"
shortInstrumentName = "T I-II"
midiInstrument = "choir aahs"
} { \clef "treble_8" \tenorVoiceI }
\addlyrics { \verseTenorVoiceI }
tenorVoiceIIPart = \new Staff \with {
instrumentName = "Tenor II"
shortInstrumentName = "T II"
midiInstrument = "choir aahs"
} { \clef "treble_8" \tenorVoiceII }
\addlyrics { \verseTenorVoiceII }
bassVoiceIPart = \new Staff \with {
instrumentName = "Bass I"
shortInstrumentName = "B I"
midiInstrument = "choir aahs"
} { \clef bass \bassVoiceI }
\addlyrics { \verseBassVoiceI }
bassVoiceIIPart = \new Staff \with {
instrumentName = "Bass II"
shortInstrumentName = "B II"
midiInstrument = "choir aahs"
} { \clef bass \bassVoiceII }
\addlyrics { \verseBassVoiceII }
\score {
\new StaffGroup <<
\new StaffGroup \with {
% systemStartDelimiter = #'SystemStartSquare
}% <<
\sopranoVoiceIPart
% \sopranoVoiceIIPart
% >>
\new ChoirStaff \with {
% systemStartDelimiter = #'SystemStartSquare
} % <<
\altoVoiceIPart
\altoVoiceIIPart
% >>
\new StaffGroup \with {
systemStartDelimiter = #'SystemStartSquare
} <<
\tenorVoiceIPart
\tenorVoiceIIPart
>>
\new StaffGroup \with {
systemStartDelimiter = #'SystemStartSquare
} <<
\bassVoiceIPart
\bassVoiceIIPart
>>
>>
\layout {
\context {
\Staff\RemoveEmptyStaves
\with { \override VerticalAxisGroup #'remove-first = ##t } %ez a parancs gondoskodik arról, hogy ha az előző parancs
%nem tüntette el az első szisztémből az üres sort, ez eltüntesse.
}
}
\midi { }
}
/ Andere Satz befindet sich in der nächste Antwort/
Vielen Dank für die Antworten. 8)
-
\version "2.18.2"
\header {
subtitle = "IV. Búcsú"
subsubtitle = "(Abschied)"
% tagline = ""
%composer = "Dombó Dániel"
%arranger = "2014"
tagline = \markup { \italic "Kottagrafika: Hegyi Tamás - hegyitomi78@gmail.com - Music engraving by Lilypond 2.18.2 www.lilypond.org"}
}
\paper {
#(set-paper-size "a4" )
print-page-number = ##t
first-page-number = 9 % az első oldal innen indul
print-first-page-number = ##t %Parancs ha az első oldalra is szeretnék oldalszámot
%{ oddFooterMarkup = \markup \null
oddHeaderMarkup = \markup {
\fill-line {
\null
\on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string
}
}
} %}
}
global = {
\key c \major
\time 4/4
\tempo 4=60
}
sopranoVoiceI = {
\global
\dynamicUp
R1 R1 R1 b'2\(\mp \melisma a'4 g' (g'1)\) | %11
\time 5/4 e'2\( d'8\< g'4 e'8\! d'8^"(poco rit.)"\> c'\! | d'8\) r8 \melismaEnd cis''2\(\mp\melisma b'4 gis'\)
| r4 \melismaEnd cis''2\( \melisma dis''4 b'8 a'8 %12
%13
%Vége az első oldalnak
\time 4/4 b'4\) r4\melismaEnd cis''2\( \melisma \time 3/4 b'8\< ais'8 gis'4 fis'4\!\) \parenthesize\breathe |
\time 4/4 \melismaEnd fis'4. \mf\< (\melisma gis'8) \! gis'4\> (b'4) \! |
\time 3/4 fis'4.\< ^(gis'8) gis'4 (gis'2) b'8 (cis''8\! ) \parenthesize\breathe %21
\time 4/4 \melismaEnd cis''2\f \( \melisma b'4 a'\) | gis'2\( fis'4 \> e'4\)\! |
\time 5/4 r4 \melismaEnd fis''2\mf\( \melisma e''4 cis''4\)| r4 \melismaEnd fis''2\( \melisma gis''4 e''8 d''8 | %22
%23
%vége a második oldalnak
\time 4/4 e''4\) r4 \melismaEnd fis''2\( \melisma | \time 3/4 e''8 dis''8 cis''4\> b'4\)\!\breathe
\time 4/4 \melismaEnd b'4. \< (\melisma cis''8) cis''4 (e''4) | b'4. (cis''8) cis''4 (gis''4)\! %31
fis''8->\f (d''4.) c''?8-> (a'4.) b'2\>| ais'8\( b'4.\)\! \breathe|
\melismaEnd cis''2\(\p b'4 a'4\) |cis''2\<\( b'4 a'\!\) | %32
%33
%vége a harmadik oldalnak
\time 5/4 gis'2\( fis'4\> e'2\)\!|\time 4/4 gis'2_\( fis'\< | b'4\mp^"sostenuto" a'4 gis'2\> | e'1\)\p \fermata \bar "|." %41
}
verseSopranoVoiceI = \lyricmode {
Ah… Ah… Ah…
Ah… Ah… Ah…
Ah… Ah… Ah… Ah… Ah… % Liedtext folgt hier.
}
sopranoVoiceII = {
\global
\dynamicUp
R1 R1 R1 \(b'2\mp \melisma a'4 g' (g'1)\) | %11
e'2\( d'8\< g'4 e'8\! d'8\> c'\)\!\parenthesize\breathe | \melismaEnd d'\breve*5/8 \p (cis'\breve*5/8)
% {\time 5/4 d'\breve*5/16\p } {\time 5/4 cis'\breve*5/16 } %12
%Vége az első oldalnak
(cis'1)\(\melisma dis'8\< cis' dis'2\! \)\parenthesize\breathe \melismaEnd fis'4. \mf\< (gis'8)\!\melisma gis'4 \>(b'4) \!
\time 3/4 fis'4.\< (gis'8) gis'4 (gis'2) b'8 (cis''8\!) \parenthesize\breathe
\time 4/4 \melismaEnd cis''2\f \( \melisma b'4 a'\) | gis'2\( fis'4\> e'4 \)\! \parenthesize\breathe %21
\melismaEnd d'\breve*5/8 \mp (\melisma d'\breve*5/8) (e'1)\( gis'8 fis' gis'2\> \)\!\parenthesize\breathe
\melismaEnd a'2 \( \< \melisma cis''4 e''4\) %22
b'4. (cis''8) cis''4 (e''4)\! | d''2\f-> c''?8 -> (a'4.) %23
%vége a második oldalnak
b'2\> ais'8\( b'4.\)\! \breathe| \melismaEnd cis''2\(\p b'4 a'4\)|cis''2\< \( b'4 a' \! \) | %32
%33
%vége a harmadik oldalnak
\time 5/4 gis'2\( fis'4\> e'2\)\!|\time 4/4 gis'2_\( fis'\< | b'4\mp a'4 gis'2\> | e'1\p \) \fermata %41
%vége a harmadik oldalnak
%41
}
verseSopranoVoiceII = \lyricmode {
Ah…
Ah… Ah… Ah…
Ah… Ah… Ah… %Ah… % Liedtext folgt hier.
}
altoVoice = {
\global
\dynamicUp
R1 R1 R1 |e'2.\(\mp \melisma f'4 (f'1)\) | e'2\( d'8 g'4 e'8 d' c' \)\parenthesize\breathe |
\melismaEnd d'\breve*5/8 (\melisma a\breve*5/8) %11
%12
%13
%Vége az első oldalnak
(b1)(b2.)\parenthesize\breathe |\melismaEnd e'1 ( \melisma e'2.) eis'2 (fis'4)\parenthesize\breathe |
\melismaEnd e'1(\melisma e'2 dis'4\> e'4)\parenthesize\breathe | \melismaEnd d'?\breve*5/8 (\melisma d'\breve*5/8) %21
%22
%23
%vége a második oldalnak
(e'1)\( gis'8 fis' e'4. dis'8\)\parenthesize\breathe | \melismaEnd e'2\( \melisma f'2 a'2 gis'2\) %31
<< { \voiceOne a'1\( a'2 gis'2\)\breathe } \new Voice { \voiceTwo {fis'2\( f'2 e'1\) } } >>
\melismaEnd e'2. (\melisma cis'4) |e'2. (dis'4) %32
%33
%vége a harmadik oldalnak
e'2\( dis'4 cis'2\) |e'1_\( ^(e'4.) dis'8 e'2 (e'1) \) \fermata %41
}
verseAltoVoice = \lyricmode {
Ah…
Ah…
Ah… Ah… Ah…
Ah… Ah…
}
tenorVoiceI = {
\global
\dynamicUp
R1 R1 c'2\(\mp \melisma b4 a4 |g2 c'2\) b_\(\< c'4\> b4\)\! %11
c'2(bes2.) \parenthesize\breathe | \melismaEnd a\breve*5/8
(\melisma a\breve*5/8) (gis1) (gis4) (a2) \parenthesize \breathe
\melismaEnd b2 (\melisma c'2) | b2. cis'2\( b8 ais8\)\parenthesize\breathe | \melismaEnd cis'2\( \melisma b4 a8 cis'8 b2. cis'4 \)
\parenthesize\breathe
|\melismaEnd b\breve*5/8 (\melisma b\breve*5/8) %12
(cis'1) (cis'4)\( fis gis4\)\parenthesize\breathe | \melismaEnd cis'2\( \melisma d'2 | f'2 e'2\)|a8^> ( d'4.) c'8\( e'4 d'8\) |
d'4 (b2.)\breathe |
\melismaEnd cis'2\( \melisma b4 a4\) | cis'2\( b4 cis'4\) | %13
%Vége az első oldalnak
b2. (a2) |b2 c'?2 (c'2) b2 (b1)\fermata %21
}
verseTenorVoiceI = \lyricmode {
Ah…
Ah…
Ah… Ah… Ah…
Ah… Ah…
}
tenorVoiceII = {
\global
\dynamicUp
R1 a2\(\mp \melisma g4 f4 | e2 d4 c4 | e2. d4\) | f2\( a4 g4\)| a2_\( f4 e8.\< d16 f8\> e8\)\!\parenthesize\breathe |
\melismaEnd fis\breve*5/8 (\melisma fis\breve*5/8)
(gis1) (gis4) (a2)\parenthesize\breathe \melismaEnd gis2 (\melisma a) |gis2.gis4\( fis8 eis dis cis\) \parenthesize\breathe| %11
\melismaEnd a1\( |\melisma gis4 e4 fis4 e4\)\parenthesize\breathe |
\melismaEnd d\breve*5/8 (\melismaEnd fis\breve*5/8) (fis1) (fis4) (e2)\parenthesize\breathe
\melismaEnd a1 (\melisma a4) \times 2/3 { cis'8\( b8 a8 } gis2\) a2\( f4. a8 |b8 e4. gis2\)\breathe |
\melismaEnd a2\( \melisma gis4 fis\) | a2\( gis4 fis4\) | %12
%13
%Vége az első oldalnak
b2. (a2) | b2\( a4. fis8 | d4 fis4 e2 | gis1\)\fermata %21
}
verseTenorVoiceII = \lyricmode {
Ah…
Ah…
Ah… Ah… Ah…
Ah… Ah…
}
bassVoice = {
\global
\dynamicUp
f2_\(\mp \melisma e4 c4 | f,1 | g,2. f,4 | e,2. f,4 (f,1)\) | a,2 (g,2.)\parenthesize\breathe
| \melismaEnd d\breve*5/8 (\melisma dis\breve*5/8) (e2.) eis4 (eis4) _(fis2)\parenthesize\breathe
| \melismaEnd e4\(\melisma c8 b,8 e2\) | e4\( c8 b,8 e4\) | cis2\( b,8 fis,8\) \parenthesize\breathe | %11
\melismaEnd a,1\( | \melisma b,2. a,4\)\parenthesize\breathe | \melismaEnd g,\breve*5/8 (\melisma gis,\breve*5/8) (a,2.) ais,4
(ais,4) (b,2)\parenthesize\breathe
<< { \voiceOne \melismaEnd a4\( \melisma f8 e8 e2 cis1\) | d2\( c4. b,8\) |d8 e4. e2 }
\new Voice { \voiceTwo { a4_\( f8 e8 a,2\)| a,2\( cis,2\) |
d,2\( f,4 a,8 b,8\)| d8 (e4.) e8 (e,4.)\breathe } } >>
\melismaEnd a,2_\( \melisma gis,4 fis,4\) | a,2_\( gis,4 b,4\) | e2_( dis4) a,4_\( f,8\< e,8\! (e,2)\> fis,4\)\< b,8_\( a, \!
% (a,2)\) e4\(\> c8 b,8\! |
<< { \voiceOne a,2\) e4\(\> c8 b,8\! e1\)\fermata }
\new Voice { \voiceTwo { a,2\) e4\( c8 b,8 e,4\) c8 ^"rit..." ( b,8) e,2 \fermata } } >> %12
}
verseBassVoice = \lyricmode {
Ah…
Ah…
Ah… Ah… Ah…
Ah… Ah… Ah…
}
sopranoVoiceIPart = \new Staff \with {
instrumentName = "Solo"
% shortInstrumentName = "Sopran I"
midiInstrument = "choir aahs"
} { \sopranoVoiceI }
\addlyrics { \verseSopranoVoiceI }
sopranoVoiceIIPart = \new Staff \with {
instrumentName = "Sopran"
% shortInstrumentName = "Sopran II"
midiInstrument = "choir aahs"
} { \sopranoVoiceII }
\addlyrics { \verseSopranoVoiceII }
altoVoicePart = \new Staff \with {
instrumentName = "Alt"
% shortInstrumentName = "Alt"
midiInstrument = "choir aahs"
} { \altoVoice }
\addlyrics { \verseAltoVoice }
tenorVoiceIPart = \new Staff \with {
instrumentName = "Tenor"
% shortInstrumentName = "Tenor I"
midiInstrument = "choir aahs"
} { \clef "treble_8" \tenorVoiceI }
\addlyrics { \verseTenorVoiceI }
tenorVoiceIIPart = \new Staff \with {
instrumentName = "Bariton"
% shortInstrumentName = "Tenor II"
midiInstrument = "choir aahs"
} { \clef "treble_8" \tenorVoiceII }
\addlyrics { \verseTenorVoiceII }
bassVoicePart = \new Staff \with {
instrumentName = "Bass"
%shortInstrumentName = "Bass"
midiInstrument = "choir aahs"
} { \clef bass \bassVoice }
\addlyrics { \verseBassVoice }
\score {
<<
\sopranoVoiceIPart
\new StaffGroup <<
\sopranoVoiceIIPart
\altoVoicePart
\tenorVoiceIPart
\tenorVoiceIIPart
\bassVoicePart
>>
>>
\layout { }
\midi { }
}
-
Hallo,
grundsätzlich ist es möglich in einer .ly Datei beliebig viele \score Elemente zu haben. Es ist aber unpraktisch größere Werke in einer .yl-Datei zu pflegen. Deshalb ist es gängige Praxis jeden Satz in einer .ly-Datei zubeschreiben und das in einer "Master"-Datei zusammen zu fügen. Bei sehr umfangreichen Werken wird die Arbeit sogar noch weiter aufgebrochen (z.B. nach Stimmen). Das ist dann aber eher eine Stilfrage ...
Gleichzeitig kann man auch ein Inhaltsverzeichnis "über alles" erstellen lassen.
Eine sehr gute Zusammenfassung ist in dem Thema
https://liarchiv.joonet.de/index.php?topic=678.0 (https://liarchiv.joonet.de/index.php?topic=678.0)
enthalten. Der Beitrag, den ich meine ist diese Antwort: https://liarchiv.joonet.de/index.php?topic=678.msg3692#msg3692 (https://liarchiv.joonet.de/index.php?topic=678.msg3692#msg3692)
Es gibt im Forum noch weitere Beiträge zum Thema, aber das ist die mit Abstand gründlichste Darstellung, die mir bislang untergekommen ist.
Grüße
Martin